Typical Marks
About
- Apprenticeships & Residencies
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2003
Creative Arts Residency, Banff Centre for the Arts, Banff, Canada
2004Creative Arts Residency, San Miguel de Allende, Guanajuanto, Mexico
2005Artist Residency, Watershed Center for Ceramic Arts, Newcastle, Maine
2006Creative Arts Residency, Schulte Ceramic Studio, Prescott, Arizona
2007Banff Centre for the Arts, Banff, Alberta, Canada
2008International Ceramics Center, Kecskemet, Hungary
2009Watershed Center for Ceramic Arts, Newcastle, Maine
2011Banff Centre for the Arts, Banff, Alberta, Canada
2012Independent Ceramic Studies, Rome Italy
2013Independent Ceramic Studies, Hong Kong, China and Osaka, Japan
2014Classical Sculpture Studies, C.R.E.T.A. Art Foundation, Rome, Italy
- Primary Work Experience
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Studio Ceramist
Other
- Public Collections
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Arizona State University Art Museum, Tempe, Arizona
Brevard Art Museum, Melbourne, Florida
Burroughs-Chapin Art Museum, Myrtle Beach, South Carolina
Ceramic Research Center, University of Arizona, Tempe, Arizona
Foosaner Museum, Melbourne, Florida
Gangjin International Ceramic Museum, Gangjin, Korea
King-Size Ceramic Museum, Shanghai, China
Penn State Colleges, Pennsylvania
Palomar College, San Marcos, California
- Bibliography
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The American Art Collector, Alcove Publications, Berkeley, CA 2010.
Cook, Morgan. "Extreme Art Pushes the Limits.” North County Times, September 28, 2009.
Cox, Petey, “Bacardi Exhibition Marks Group’s 40th Anniversary.” Kendall Gazette, August 23, 1990.
Cushing, Val, ed. The Ceramic Design Book: A Gallery of Contemporary Design. Asheville, NC: Lark Books, 1999.
“Form and Imagination.” AMOCA, article, Ceramic Art & Perception January 2008.
“Form & Imagination.” AMOCA Exhibition, Review, Ceramic Review, The Magazine of Ceramic Art and Craft 231 (May/June 2008).
Form and Imagination, exhibition catalogue. Pomona, CA: American Museum of Ceramic Art, 2007.
“Form and Imagination.” AMOCA, Pomona, CA, Ceramics Monthly
(August/September 2007).
“Form and Imagination.” AMOCA, American Craft (October/November, 2007).
“Form and Imagination.” AMOCA, West Coast Peddler, September 2007.
“Form and Imagination.” AMOCA, ArtScene 27, no.1, (September 2007).
“Form and Imagination.” AMOCA, American Style (October 2007).
“Free at the Center.” Clay Times (September 2005).
“From the Dream to the Studio.” The Times Argus. (February 2, 2001).
Galloway, Julia and Ray Hemachandra, eds. 500 Vases: Contemporary Explorations of a Timeless Form. New York, NY: Lark Crafts, 2010.
Gibbons, Marie, ed. Sole Purpose, The Shoe as Contemporary Ceramic Art. Denver, CO: Dirty Page Press, 2008.
Gunter, Veronika Alice. 500 Figures in Clay Ceramic Artists Celebrate the Human Figure in Clay. New York, NY: Lark Books, Sterling Publications, 2014.
Heft, Caren. For the Birds: Artists Examine Aviary Abodes. Racine, WI: Racine Art Museum, 1990.
Hopper, Robin. Making Marks: Discovering the Ceramic Surface. Iola, WI: Krause Publications, 2004.
Kilnger, Christine. “Cheryl Tall.” Interview, Critical Ceramics Online Magazine, 2008.
Lark Books. 500 Handmade Dolls: Explorations of the Human Form. New York, NY: Lark Books, Sterling Publications, 2007.
________. 500 Animals in Clay: Contemporary Expressions of the Animal Form. New York, NY: Sterling Publications, 2006.
“Leucadia Artist is Sculptor of ‘Tall’ Tales.” Coast News, June 22, 2012.
Lippai, Emery, “Exposition a L’Alliance.”, Alliance Francaise (March 1990).
Marger, Mary Ann. “Crafts Are Making Art Statements.” On the Town, St. Petersburg Times, July 3, 1992.
Mass, Andrew. Florida Craftsmen. Tampa Museum of Art, 1991.
McHugh, Gene. 500 Paper Objects: New Directions in Paper Art. New York, NY: Lark Crafts, Sterling Publications, 2013.
Miller, Willi. “Tall Travels.” Ceramic Monthly (June 2000).
“NCECA Exhibition.” Clay Times Magazine (May 2001).
Parrish, Matthew. “Arrested Motion One Place in Many.” Williamsport, PA: Williamsportart Blogspot, July 29, 2009.
“Personal Mythology: The Artwork of Cheryl Tall.” Fine Art Ceramics (2003).
Peters, Lynn. Surface Decoration for Low-Fire Ceramics. Asheville, NC: Lark Books, 1999.
“Politics and Clay.” Studio Potter Magazine (June 2001).
Sanchez, Mary. “Potter’s Wheel Reveals Natural Talent.” The Islander News, October 28, 1982.
Schwann, Gary. “Sculptor Headed for Success.” Palm Beach Post, November 7, 1999.
Schwartz, Judith. Confrontational Ceramics. New York, NY: Rizzoli, 2008.
Softic, Tanja. “Valencia Exhibit Illustrates the Artistry in Craft-Making.” Orlando Sentinel-Star, August 1, 1993.
Stroppel, Alice. "The Archetypal Sculptures of Cheryl Tall.” The Figurative Artbeat, thefigurativeartbeat.com. 2009.
“Artists of South Florida.” Studio Potter Magazine (June 1998).
Tall,Cheryl. Winged Manor. Camp Hill, PA: Sunbury Press, 2011
“The White Queen at San Diego Botanic Garden.´veniceclayartists.com. January, 10, 2013.
Turner, Anderson, ed. Throwing and Handbuilding. Columbus, OH: American Ceramic Society Press, 2008.
Turner, Elisa, “Folk Art Finds Home at Two Local Galleries.” The Miami
Herald, October 3, 1990.
Wilson, Lana. “Cheryl Tall’s Techniques.” Clay Times Magazine, September 2002.
Yuskos, Norma.“Cheryl Tall: Building Large Scale Work in Sections.” Pottery Making Illustrated (November 2004).
- CV or Resume
- Download CV or Resume
- Website(s)
Citation: Cheryl Tall, "The Marks Project."
Last modified April 29, 2026. https://www.themarksproject.org/artists/cheryl-tall
