Donna Polseno

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    About
    Biography

    DonnaPolsenois known for mid-range electric fired figurative sculpture and pottery. Figurative sculptures are hand built using an iron rich terracotta.Polsano'spottery is slip cast, altered and reassembled. Glazing practices include satin matte hues withstylizeddecorative motifs of flowers, leaves, birds or simple line work indesignedcombinations.Polsanouses a system of wax resists and liquid latex to build layers of glazes and decorative motifs.

    About her pottery,Polsanostates, ?I have made many different types of pottery over my career but have always been interested in the way decorative elements can be used to enhance a form, whether one is using an elaborate pattern or the simplest marks.?1

    Polseno?sfigurative sculptures are often constructed as singular stylizednarrativefemale formswhich have a sense of mass.Oftenthe gesture ofvessel in handis used. Female figures often feature unglazed earth red clay as a prominent surface treatment, with glaze as an isolated decorative element.Also part ofPolsano?ssculptural work is the careful assembly of her vessel related forms on a ceramic plinth.About her workPolsenostates, ?My interest is in portraying the essence of a woman; her capacity symbolically and in the flesh, to give life, to nurture, and exhibit both vulnerability, beauty and strength.?2

    In addition to her personal creations,Polsenohas been instrumental in developing the annualWomen Working with Clay Symposiumat Hollins University in Roanoke,Virginia, serving as the director for many years. A link to the symposium can be accessed here:https://www.hollins.edu/academics/workshops-online-writing-courses/women-working-with-clay-symposium/.

    1http://www.donnapolseno.com/statement.htm-Cited February 5, 2019, 5:00PM.

    2 Ibid.

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    Apprenticeships & Residencies
    1984

    Artist in Residence, Archie Bray Foundation for the Ceramic Arts, Helena, Montana

    2002

    International Ceramics Symposium, Dokuz Eylul University, Izmir, Turkey

    Primary Work Experience
    2004

    Instructor, Hollins University, Roanoke, Virginia

    2007
    -
    2016

    Instructor, Summer Term, La Meridiana School of Ceramics, Certaldo, Italy

    Other

    Public Collections

    American Museum of Ceramic Art, Pomona, California

    Kansas City Art Institute, Kansas City, Missouri 

    Mint Museum, Charlotte, North Carolina 

    Roanoke College, Roanoke, Virginia 

    Rosenfield Collection

    St. Louis Museum of Art, St, Louis, Missouri 

    Taubman Museum of Art, Roanoke, Virginia 

     

     

    Bibliography

     

    Fariello, Anna. “The Container as Metaphor: Figurative Works by Donna Polseno.” Ceramics Art and Perception 37 (Fall 1999).  

    Higby, Wayne. “Potter’s Space & the Earthbound Goddess.” Ceramics Art and Perception .66 

    Hluch, Kevin. “Pots with a View: The Work of Richard Hensley and Donna Polseno.” Ceramics Monthly (March 2005).  

    _____________. The Art of American Contemporary Pottery. Iola, WI: Krause Publications, 2001.  

    Hunt, Bill. 21st Century Ceramics in the United States & Canada. Westerville, OH: American Ceramics Society, 2003.  

    Polseno, Donna. “Accepting Change.” Ceramics Monthly Vol. 28, no. 3 (March 1990).

    ________________ A Different Language.” Studio Potter 42, no.1 (2013).  

    ________________  “Following a Thread: Matte Glazes at Mid Range.” Ceramics Monthly (November 2015). 

     

     

     

     

     

    CV or Resume

    Kuratnick, Jeffrey

    Website(s)
    Tags (related topics)

    Archie Bray Foundation

    Arbor, Michigan

    Alfred, New York

    Floyd, Virginia

    American Ceramic Society

    AMOCA

    American Museum for Ceramic Art

    ACerS

    Center for Crafts

    CfC

    Hollins University

    La Meridiana School of Ceramics

    Citation: Kuratnick, Jeffrey Donna Polseno, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/donna-polseno

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