Edwin Scheier

Mary and Edwin Scheier are known for finely thrown functional vessels with sgraffito or applique surface decoration.

Mary became an expert on the potter?s wheel, throwing thin earthenware pots. Edwin decorated the works ...
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    About
    Biography

    Mary and Edwin Scheier are known for finely thrown functional vessels with sgraffito or applique surface decoration.

    Mary became an expert on the potter?s wheel, throwing thin earthenware pots. Edwin decorated the works using motifs that reflected his interest in spirituality and anthropology.

    The Scheiers were both largely self-taught studio potters who worked together throughout their 69 year marriage. Mary and Edwin made individual works, however, these are often indistinguishable and difficult to attribute.

    The Scheier?s early work is characterized by domestic wares with simple geometric motifs and soft glaze colors inspired by Appalachian Folk Pottery. At their first pottery in Virginia, Hillcrock Pottery, they primarily made small figures and functional wares.

    In 1940, the couple moved to New Hampshire to teach at both the University of New Hampshire and the League of New Hampshire Craftsmen. It was during this period in New Hampshire that the Scheiers created their most prolific and mature works.

    During World War II, Edwin served as a merchant seaman. When he returned from the war, he began to use new imagery inspired by the tattoos he had seen abroad. These motifs recurred throughout his career along with imagery depicting fertility, regeneration, primitivism and creation. While Edwin was absent, Mary continued the pottery in New Hampshire. During this time she made a series of coffee pots and matching cups decorated with a restrained use of glaze, allowing the grainy texture of the clay body to show.

    After the War the University of New Hampshire, like many other universities across the country, responded to the influx of students using the G.I. Bill for their tuition, by expanding their ceramics program. Edwin was invited to teach and Mary became the school?s artist-in-residence.

    In 1968 the Scheiers retired and spent nearly a decade in Oaxaca, Mexico. They studied weaving and Zapotec pottery. Imagery from this experience began to appear on their works from this period and later. They lived and worked in Green Valley, Arizona for the remainder of their lives.

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    Apprenticeships & Residencies
    Primary Work Experience
    1937

    Instructor, Crafts and Puppetry, New York State Civilian Conservation Corps

    1937

    Field Supervisor, Works Progress Administration, Kentucky, Virginia and North Carolina

    1937

    Hillcrock Pottery, Glade Spring, Virginia

    1938

    Federal Art Project, Norris, Tennessee

    1940
    -
    1968

    Professor, Ceramics, University of New Hampshire, Durham, New Hampshire

    1940

    The League of New Hampshire Craftsmen, Concord, New Hampshire

    1968
    -
    1978

    Studio Potter, Oaxaca, Mexico

    1978
    -
    2008

    Studio Potter, Green Valley, Arizona

    Other

    1937

    Married to Mary Goldsmith

    Public Collections

    American Museum of Ceramic Art, Pomona, California

    The Art Institute of Chicago, Chicago, Illinois

    Arizona State University, Art Museum, Tempe, Arizona

    Brooklyn Museum, Brooklyn, New York

    Baltimore Museum of Art, Baltimore, Maryland

    Cincinnati Museum of Art, Cincinnati, Ohio

    Cleveland Museum of Art, Cleveland, Ohio

    Cranbrook Academy Art Museum, Bloomfield Hills, Michigan

    Currier Museum of Art, Manchester, New Hampshire

    Detroit Museum of Art, Detroit, Michigan

    Everson Museum of Art, Syracuse, New York

    Metropolitan Museum of Art, New York, New York

    Museum of Arts and Design, New York, New York

    Museum of Fine Arts, Boston, Massachusetts

    Museum of Modern Art, New York, New York

    Newark Museum, Newark, New Jersey

    Philadelphia Museum of Art, Philadelphia, Pennsylvania

    Museum of Art, Rhode Island School of Design, Providence, Rhode Island

    Scripps College, Claremont, California

    Smithsonian Cooper-Hewitt National Design Museum, New York, New York

    Southern Highland Craft Guild, Asheville, North Carolina

    Museum of Art, University of New Hampshire, Durham, New Hampshire

    Walker Art Center, Minneapolis, Minnesota

    Yale University Art Gallery, New Haven, Connecticut

    Bibliography

    Clark, Garth. American Ceramics: 1876 to the Present. New York, NY: Abbeville Press Publishers, 1987.

    Dietz, Ulysses Grant. Great Pots Contemporary Ceramics from Function to Fantasy. Madison, WI: Guild Publishing with the Newark Museum, 2003.

    Falino, Jeannine. Crafting Modernism: Midcentury American Art and Design. New York, NY: Abrams, 2011.

    Komanecky, Michael K. American Potters: Mary and Edwin Scheier. Manchester, NH: The Currier Gallery of Art, 1994.

    Levin, Elaine. The History of American Ceramics from Pipkins and Bean Pots to Contemporary Forms. Harry N. Abrams, Inc., Publishers: New York, New York, 1988.

    Perry, Barbara, ed. American Ceramics: The Collection of Everson Museum. New York, NY: Rizzoli International Publications, Inc., 1989.

    CV or Resume

    Website(s)
    Tags (related topics)

    Scripps College Ceramic Annual

    Green Valley, Arizona

    Oaxaca, Mexico

    Durham, New Hampshire

    American Museum of Ceramic Art

    AMOCA

    The American Ceramic Society

    ACerS

    Center for Craft

    CfC

    Citation: Edwin Scheier, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/edwin-scheier

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