Harold Riegger | Also Known As: Hal Riegger

Born: 1913, Ithaca, New York

Les Lawrence is most well-known for sculptural series based on functional forms utilizing topical themed decals and transfer surface techniques on thin-walled unglazed porcelain. The US dollar bill is a common motif.

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    Les Lawrence is most well-known for sculptural series based on functional forms utilizing topical themed decals and transfer surface techniques on thin-walled unglazed porcelain. The US dollar bill is a common motif.

    Lawrence was an early innovator creating a number of silkscreen techniques necessary to create the work he visualized. He developed a water-based ink that he could silkscreen, paint and draw onto a plaster bat and a way to pour a thin slab of casting slip onto the bat.This process resulted in thin porcelain slabs that picked up the images from the surface of the plaster bat. Lawrence used these slabs to produce an ongoing series of work, the New Vision Series. All the sculptures in this series are named New Vision followed by the object?s generic name, i.e. teapot, cup, vessel. Lawrence also developed the use of magnetic toner laser prints as ceramic decals.

    Lawrence began his career as a department store illustrator. He returned to school to study sculpture, ceramics, and watercolor painting. After graduate school, Lawrence began a career as a ceramic sculptor and teacher. During his career, he created dinnerware before moving away from truly functional work to sculptural forms based on the functional form. Lawrence used surface techniques and decorations to comment on social and political issues. He added imagery using transfer techniques and decals he created himself. Lawrence?s images often reflect his commitment to social and political ideals.

    In addition to his studio practice, Lawrence maintained an active academic career that began in 1966 when he was invited to establish the ceramics and sculpture program at Hardin-Simmons University in Abilene, Texas. In 1970 he became Professor then Ceramics Head at Grossmont College of Art in El Cajon, California where he remained until his retirement in 2005.

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    Apprenticeships & Residencies
    1938

    Homer Laughlin Pottery Co. East Liverpool, Ohio

    Primary Work Experience
    1939
    -
    1942

    Museum School of Industrial Art, Philadelphia, Pennsylvania

    1947
    -
    1950

    California School of Fine Arts (now San Francisco Art Institute), San Francisco, California

    1955
    -
    1957

    California College of Arts and Crafts, Oklahoma, California

    1958
    -
    1961

    Florida Gulf Coast Art Center, Clearwater, Florida

    Other

    Public Collections

    American Museum of Ceramic Art, Pomona, California

    Everson Museum of Art, Syracuse, New York

    Florida Gulf Coast Art Center, Clearwater, Florida

    Metropolitan Museum of Art, New York, New York

    Museum of Contemporary Craft, Portland, Oregon

    Oakland Museum of California, Oakland, California

    Pacific Northwest College of Art, Portland, Oregon

    Bibliography

    Bray, Hazel V. The Potter’s Art in California. Oakland, CA: Oakland Museum of Art Department, 1978.

    Hodge, Gillian. “Hal Riegger.” Ceramics Monthly, 1970, Vol. 18.

    Hodge, Gillian. “Hal Riegger’s ‘Experiment A’ Workshops.” Craft Horizons, May 1970, Vol. 30.

    Lindsey, Greg Allen. “Hal Riegger Retrospective.” Ceramics Monthly, Nov. 2004, Vol. 52, Issue 9.

    Oral history interview with Robert David Brady, March 10-12, 2008. Archives of American Art, Smithsonian Institution.

    Riegger, Hal. “Hal Riegger: Workshops at Haystack.” Ceramics Monthly, 1975, Vol. 23.

    Riegger, Harold. “Hollow Forms from Slabs.” Ceramics Monthly (November 1962).

    Riegger, Hal. “Raku Then and Now.” Ceramics Monthly, Sept. 2008, Vol. 48, Issue 7.

    Riegger, Hal. “Reduction of Raku Glazes.” Ceramics Monthly, 1970, Vol.18.

    Riegger, Hal. “The Use of Volcanic Ash in Commercial Glazes”. Ceramic Industry (1952).

    CV or Resume

    Beul, Jasmine

    Website(s)
    Tags (related topics)

    American Museum of Ceramic Arts

    AMOCA

    The American Ceramic Society

    ACerS

    Center for Craft

    CfC

    Robert Brady

    Rick Dillingham

    John Dumas

    Citation: Beul, Jasmine Harold Riegger, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/harold-eaton-riegger

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