Harrison McIntosh

Harrison McIntosh's work combines a mid-century modern aesthetic, simple classical forms, and expressionist surface decoration.

A contemporary of Laura Andreson and Gertrud and Otto Natzler, McIntosh was among the first California studio potters to create wheel-thrown stonewares. He studied with Glen Lukens while at the University of Southern California and with Richard Petterson at Claremont Graduate School. In 1953 McIntosh spent the summer at Marguerite Wildenhain's studio, Pond Farm, where he learned the Bauhaus aesthetic. While teaching at Otis, McIntosh met Peter Voulkos who inspired him to use an expressionistic approach to clay. This resulted in the distinctive thin sgraffito lines on his ceramic surfaces. In many cases, he creates a two-tone ribbing pattern or lines based on concentric circles.

His work from the 1980s is characterized by a red clay body. He occasionally made abstract sculptures on wooden or steel bases but he is best known for his symmetrical bowl and jar forms. McIntosh also designed wares for industrial production, including dinnerware for Mikasa.

An interview with Harrison McIntosh conducted February 24-25 and March 3, 1999, byMary MacNaughton for the Archives of American Art's Oral History Program is available at:http://www.aaa.si.edu/collections/interviews/oral-history-interview-harrison-mcintosh-11879.