Jane Shellenbarger

J.B. Blunk is known for utilitarian wares and sculptures made from local and commercial clays and using commercial slips and glazes fired in a cone 6 electric kiln. In Japan, Blunk worked ...
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Typical Marks

    About
    Biography

    J.B. Blunk is known for utilitarian wares and sculptures made from local and commercial clays and using commercial slips and glazes fired in a cone 6 electric kiln. In Japan, Blunk worked in the Bizen tradition using stoneware clays and a wood-fired kilns.

    J.B. Blunk studied at UCLA with Laura Andreson and, after two-years of Army service in the Korean War, was discharged to Japan. There, he sought out the masters who Andreson had introduced in her classes. In Japan, he befriended Isamu Noguchi, who introduced him to Rosanjin Kitaoji. After an apprenticeship with Kitaoji, he went to Bizen to study with Toyo Kaneshige. Blunk made traditional Bizen-style wares during this period.

    In 1957, Blunk built a home in Northern California. By 1962, he worked primarily as a wood sculptor.

    An Oral History interview with J.B. Blunk conducted May 16, 2002, by Glenn Adamson for the Archives of American Art?s Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America is available at: https://www.aaa.si.edu/collections/interviews/oral-history-interview-jb-blunk-13312.

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    Apprenticeships & Residencies
    1988
    -
    1987

    Penland Core Fellowship, Penland School of Crafts, Penland, North Carolina

    1996
    -
    1997

    Archie Bray Foundation for the Ceramic Arts in Helena, Montana

    2006

    Artist in Residence, Watershed Center for the Ceramic Arts, Newcastle, Maine

    2009

    Industrial Mold Making and Porcelain, International Ceramic Studio, Kecskemet, Hungary

    2010

    Residency, Red Lodge Clay Center, Red Lodge, Montana

    Primary Work Experience
    1997

    Studio Potter

    2002
    -
    2007

    Assistant Professor, Kansas City Art Institute, Kansas City, Missouri

    2007
    -
    2011

    Assistant Professor, Northern Michigan University, Marquette, Minnesota

    2011

    Assistant Professor, The School for American Crafts, Rochester Institute of Technology

    Other

    Public Collections

    The Archie Bray Foundation for the Ceramic Arts, Helena, Montana

    Kenneth R. Ferguson Teaching Collection, Kansas City Art Institute, Kansas City, Missouri

    Ohi Museum, Kanazawa, Ishikawa, Japan

    rosenfieldcollection.com

    San Angelo Museum of the Arts, San Angelo, Texas

    Smithsonian American Art Museum, Renwick Gallery, Washington DC

    University of Arkansas, Fayetteville, Arkansas,

    The University Museum, Southern Illinois University at Edwardsville, Illinois

    Bibliography

    “Ceramics Technical.” Kitchen Table Ceramics 26 (2006).

    “Emerging Artists Show.” Ceramics Monthly. May 1997.  

    Hluch, Kevin. American iPottery “The Art of Contemporary American Pottery.” expanded to a digital version, 2011.

    “MFA Factor.” Ceramics Monthly (November 2011).

    “Put a Lid On It”, Ceramics Monthly (November 1998). 

    Shellenbarger, Jane. “Vitality of Functional Pottery.” Studio Potter (June 2005).  

    “The Clay Cup V.”  Ceramics Monthly. March 1996.

     “The Third Annual Strictly Functional Pottery National.” Ceramics Monthly. November 1995.

     “The Yin and Yang of Pottery Making.” Clay Times 12 no. 5 (September/October 2005).

    CV or Resume

    Website(s)
    Tags (related topics)

    Archie Bray Foundation

    Kansas City, Missouri

    Marquette, Minnesota

    Rochester, New York

    Citation: Jane Shellenbarger, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/jane-shellenbarger

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