Linda Huey
Mark Issenberg is known for creating functional stoneware pottery including bonsai planters. Depending on the form, Issenberg?s work is created using thrown and altered, slab, or extruded methods.
Pieces created on the potter?s ...
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Typical Marks
About
- Biography
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Mark Issenberg is known for creating functional stoneware pottery including bonsai planters. Depending on the form, Issenberg?s work is created using thrown and altered, slab, or extruded methods.
Pieces created on the potter?s wheel often feature spiraled decorative handles. Vessel walls often feature an undulating surface created by the maker?s hand while still being shaped in the wet stage. Pieces created using slab and extruded methods often lean to one side and feature textures especially on pillar vases.
Issenberg?s work is fired to cone 10 (2,350 Fahrenheit). His knowledge of the use of ash glaze technology allows him to produce work with endless surface variation. Glazed surfaces often feature directional drips and mottled effects. The type of ash used yields unique surfaces from each firing ranging from rich earth tones to brilliant mottled blues.
" - Apprenticeships & Residencies
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1970-1971
Apprentice to William Wyman, Ceramics Department Chair, School of the Museum of Fine Arts, Boston, Massachusetts
1998, 2000, and 2006Residencies, Watershed Center for the Ceramic Arts, Newcastle, Maine
- Primary Work Experience
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1972---
Studio Artist
1991-1993Graduate Teaching Assistant, New York State College of Ceramics, Alfred University, Alfred, New York
1993-2001Founder/Teacher, Corridor Clay Community Studio, Alfred, New York
2008—Founder/Organizer, From the Earth, Alfred Station, New York
Other
- Public Collections
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Alfred Ceramic Art Museum, Alfred University, Alfred, New York
Burchfield Penney Art Center, Buffalo State College, Buffalo, New York
Erie Art Museum, Erie, Pennsylvania
Fuller Museum of Craft, Brockton, Massachusetts
International Museum of Dinnerware Design, Ann Arbor, Michigan
Memorial Art Gallery, University of Rochester, Rochester, New York
- Bibliography
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Aimone, Steve. Design!. Asheville, North Carolina: Lark Books, 2004.
Carlock, Marty. “Linda Huey.” Sculpture (October 2013).
Champa, Judith Tolnick. “Linda Huey: Dark Garden.” Ceramics: Art and Perception 97 (2014).
Exposure. “Linda Huey’s Dark Garden.” Ceramics Monthly (January 2015).
Huey, Linda. “Path of Ideas.” NCECA Journal 2010.
__________. “Review: Irvin Tepper.” American Craft (December 2003-January 2004).
_________. “Review: Leopold Foulem.” American Craft (August/September 2001).
_________. “A Terracotta Frieze.” Ceramics Technical 3 (1996).
_________. “Idea Development.” Ceramics Monthly (October 1991).
Ostermann, Matthias. The Ceramic Surface. London, England: A & C Black Publishers, LTD, 2002.
________________. Masters: Earthenware. Asheville, North Carolina: Lark Books, 2010.
Peters, Lynn. Surface Decoration for Low Fire Ceramics. Asheville, NC: Lark Books, 1999.
Peterson, Susan. Smashing Glazes. Madison, WI: Guild Publishing, 2001.
Scott, Paul. Painted Clay: Graphic Arts and the Ceramic Surface. London, England: A & C Black Publishers, LTD, 2001.
Wagner, Roberta. “Nature in Clay.” Clay Times (July/August 1999).
Wollman, Anne. “Linda Huey.” American Ceramics 15 no. 3.
Zakin, Richard. Ceramics – Ways of Creation. Iola, WI: Krause Publications, 1999.
___________. Ceramics: Mastering the Craft, 2nd ed. Iola, WI: Krause Publications, 2001.
- CV or Resume
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Clark, Donald
- Website(s)
Citation: Clark, Donald Linda Huey, "The Marks Project."
Last modified April 29, 2026. https://www.themarksproject.org/artists/linda-huey
