Lisa Orr

Lisa Orr uses various processes to form her earthenware pieces including a ram press, press molds, and the potter?s wheel. She often uses more than one process to complete a piece. Her ...
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Typical Marks

    About
    Biography

    Lisa Orr uses various processes to form her earthenware pieces including a ram press, press molds, and the potter?s wheel. She often uses more than one process to complete a piece. Her platters, plates, and bowls are characterized by their organic form that is created by placing less clay in the ram press than needed.

    Each piece is dipped in terra sigillata before the glaze is applied. She finishes the surface with stamps, slips, and sprigs before adding layers of flowing multi-hued glazes.

    Lisa Orr?s work is primarilyinfluenced by Mexican folk pottery and, to a lesser degree, by the ceramics of France and the Chinese Tang dynasty. Her pieces clearly reference the weight and colorfulness associated with Mexican ceramics.

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    Apprenticeships & Residencies
    Primary Work Experience
    1986

    Studio Potter, Texas

    Other

    Public Collections

    American Museum of Ceramic Art, Pomona, California

    ArtStream Ceramic Library, Denver, Colorado

    Fine Arts Museums of San Francisco, San Francisco, California

    International Museum of Dinnerware Design, Ann Arbor, Michigan

    Kennedy Museum of Art, Ohio University, Athens, Ohio

    rosenfieldcollection.com

    San Angelo Museum of Fine Arts, San Angelo, Texas

    San Antonio Museum of Art, San Antonio, Texas

    Schein-Joseph International Museum of Ceramic Arts, Alfred University, Alfred, New York

    South Texas Institute for the Arts, Corpus Christi, Texas

    Yeoju World Ceramic Livingware Gallery, Icheon, South Korea

    Bibliography

     “Up Front, Review: The Visceral Vessel.” Ceramics Monthly (November 2005).

     “Up Front, Art of the Pot Show.” Ceramics Monthly “ (May, 2005).

     “Utilitarian III-Symposium Insights.” Clay Times (January/February 2001).

    Diverse Domain, Contemporary North American Ceramic Art, Catalog.  Taipei, Taiwan: Yingge County Ceramics Museum, 2005.

    Dormer, Peter. The New Ceramics: Trends+Traditions. 2nd ed. New York, New York: Thames and Hudson, 1995.

    Galloway, Julia, ed. 500 Vases. Asheville, North Carolina: Lark Books, 2010.

    Kopp, Linda. The Best of 500 Ceramics. Asheville, North Carolina: Lark Crafts, 2012.

    Molina-Rodriguez, Rafael. “A Dialogue with Lisa Orr.” Ceramics Monthly (May 2000).

    Orr, Lisa. “Studio Visit.” Ceramics Monthly (September 2011).
    _______. “Backwards into the Future: Technology and Sustainability.” The Studio Potter (2008).

    _______. “Synaesthesia: A Potter’s Experience and Research.” The Studio Potter (2006).

    _______.  “A Macedonian Pottery Village.” The Studio Potter (Spring 1998).

    Peters, Lynn. Surface Decoration for Low-Fire Ceramics. Asheville, North Carolina: Lark Books, 1999.

    Wilson, Lana.  “Sprigging: Casual and Unconventional.”  Clay Times (December 2003).

    CV or Resume

    Website(s)
    Tags (related topics)

    Austin, Texas

    Citation: Lisa Orr, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/lisa-orr

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