Mary Barringer

Born: 1950

Joseph Pintz is known for hand-built earthenware functional pottery and sculpture. Pintz's color palette is muted, ranging from neutral to earthy pinks, yellows, and blues. Pintz's surfaces appear weathered.

Pintz often uses a ...
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Typical Marks

    About
    Biography

    Joseph Pintz is known for hand-built earthenware functional pottery and sculpture. Pintz's color palette is muted, ranging from neutral to earthy pinks, yellows, and blues. Pintz's surfaces appear weathered.

    Pintz often uses a subtractive process, where a large block of clay is altered by removing clay. Small-scale sculptured tools are carved and slip and terra sigillata applied and refined to reflect ware. After 2016 functional vessel forms can have allover slip application or large areas of raw terra cotta contrasted with areas of slip. Earlier works are slab-built more rectangular forms.

    In addition to pottery, Pintz creates sculptural work, which includes gardening implements, weights, measures, and kitchen utensils that appear as wall pieces or stand-alone installations.

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    Apprenticeships & Residencies
    Unknown

    Haystack Mountain School of Craft, Deer Isle, Maine

    Unknown

    Penland School of Crafts, Penland, North Carolina

    Unknown

    Arrowmont School of Art and Crafts, Gatlinburg, Tennessee

    1988, 1990

    Visiting Artist, Watershed Center for Ceramic Arts, North Edgecomb, Maine

    Primary Work Experience
    1973
    -

    Independent Studio Artist

    1982
    -
    1988

    Lecturer in ceramics, Greater Hartford Community College, Hartford, Connecticut

    1993
    -
    1994

    Visiting Lecturer, Ohio State University, Columbus, Ohio

    2003
    -
    2013

    Editor, Studio Potter journal

    Other

    Public Collections

    American Museum of Ceramic Art, Pomona, California

    Crocker Art Museum, Sacramento, California

    rosenfieldcollection.com

    The Trout Gallery, Dickinson College, Carlisle, Pennsylvania

    Ceramics Collection, Southern Connecticut State University, New Haven, Connecticut

    Weisman Art Museum, Minneapolis, Minnesota

    Bibliography

    Barringer, Mary. “The Social Life of Pouring Pots.” catalog essay. Minneapolis, MN: Northern Clay Center, 2005.

    _____________. “Working Spaces.” Studio Potter 28, no. 1 (1999).

    Morgenthal, Deborah, and Suzanne J. E. Tourtillott. The Penland Book of Ceramics: Master Classes in Ceramic Techniques. New York, NY: Lark Books, 2003.

    Ostermann, Matthias. The Ceramic Surface. London: A&C Black, 2002.

    Piepenburg, Robert. The Spirit of Clay. Ann Arbor, MI: Pebble Press, 1995.

    Zakin, Richard. Electric Kiln Ceramics. Radnor, PA: Chilton Book Co., 1994.

    ___________­__. Ceramics Mastering the Craft. Radnor, PA: Chilton Book Co., 1990.

    CV or Resume

    Website(s)
    Tags (related topics)

    Hartford, Connecticut

    Columbus, Ohio

    Northampton, Massachusetts

    Citation: Mary Barringer, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/mary-barringer

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