Mary Barringer
Joseph Pintz is known for hand-built earthenware functional pottery and sculpture. Pintz's color palette is muted, ranging from neutral to earthy pinks, yellows, and blues. Pintz's surfaces appear weathered.
Pintz often uses a ...
Read more
Typical Marks
About
- Biography
-
Joseph Pintz is known for hand-built earthenware functional pottery and sculpture. Pintz's color palette is muted, ranging from neutral to earthy pinks, yellows, and blues. Pintz's surfaces appear weathered.
Pintz often uses a subtractive process, where a large block of clay is altered by removing clay. Small-scale sculptured tools are carved and slip and terra sigillata applied and refined to reflect ware. After 2016 functional vessel forms can have allover slip application or large areas of raw terra cotta contrasted with areas of slip. Earlier works are slab-built more rectangular forms.
In addition to pottery, Pintz creates sculptural work, which includes gardening implements, weights, measures, and kitchen utensils that appear as wall pieces or stand-alone installations.
" - Apprenticeships & Residencies
-
Unknown
Haystack Mountain School of Craft, Deer Isle, Maine
UnknownPenland School of Crafts, Penland, North Carolina
UnknownArrowmont School of Art and Crafts, Gatlinburg, Tennessee
1988, 1990Visiting Artist, Watershed Center for Ceramic Arts, North Edgecomb, Maine
- Primary Work Experience
-
1973-—
Independent Studio Artist
1982-1988Lecturer in ceramics, Greater Hartford Community College, Hartford, Connecticut
1993-1994Visiting Lecturer, Ohio State University, Columbus, Ohio
2003-2013Editor, Studio Potter journal
Other
- Public Collections
-
American Museum of Ceramic Art, Pomona, California
Crocker Art Museum, Sacramento, California
The Trout Gallery, Dickinson College, Carlisle, Pennsylvania
Ceramics Collection, Southern Connecticut State University, New Haven, Connecticut
Weisman Art Museum, Minneapolis, Minnesota
- Bibliography
-
Barringer, Mary. “The Social Life of Pouring Pots.” catalog essay. Minneapolis, MN: Northern Clay Center, 2005.
_____________. “Working Spaces.” Studio Potter 28, no. 1 (1999).
Morgenthal, Deborah, and Suzanne J. E. Tourtillott. The Penland Book of Ceramics: Master Classes in Ceramic Techniques. New York, NY: Lark Books, 2003.
Ostermann, Matthias. The Ceramic Surface. London: A&C Black, 2002.
Piepenburg, Robert. The Spirit of Clay. Ann Arbor, MI: Pebble Press, 1995.
Zakin, Richard. Electric Kiln Ceramics. Radnor, PA: Chilton Book Co., 1994.
_____________. Ceramics Mastering the Craft. Radnor, PA: Chilton Book Co., 1990.
- CV or Resume
- Website(s)
Citation: Mary Barringer, "The Marks Project."
Last modified April 29, 2026. https://www.themarksproject.org/artists/mary-barringer
Objects
Collections
rosenfieldcollection.com
Dallas, Texas
-
rosenfieldcollection.com
Dallas, Texas -
rosenfieldcollection.com
Dallas, Texas -
rosenfieldcollection.com
Dallas, Texas -
rosenfieldcollection.com
Dallas, Texas -
rosenfieldcollection.com
Dallas, Texas -
rosenfieldcollection.com
Dallas, Texas -
rosenfieldcollection.com
Dallas, Texas

