Mary Scheier | Also Known As: Mary Goldsmith

Born: 1908, Salem, VA

Jill Foote-Hutton is known for ceramic sculpture and vessels that are dominated by painted underglaze imagery. Monsters take on various personas in her work; including bison and other creatures. Foote?Hutton?s work also ...
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Typical Marks

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    Biography

    Jill Foote-Hutton is known for ceramic sculpture and vessels that are dominated by painted underglaze imagery. Monsters take on various personas in her work; including bison and other creatures. Foote?Hutton?s work also features block printed texts which ? much like the monsters ? help bring her work to life.

    Foote-Hutton?s personal creations and field-activities oftentimes go hand-in-hand. Since 2010, she has been engaged in a series entitled Communal Narratives. In which the artist and audience collaborate to create works revolving around the concepts of mythology, story and empowerment. The artist uses monsters as avatars to recreate personal stories. Foote ? Hutton states that the concept of monster is rich in literary history: allowing her audience to create contemporary mythology from personal narrative that she hopes will empower the individual. The finished ceramic works (among other media) take form as both personal creations and collaborations with communities respectively. In 2015 Foote-Hutton established the Whistlepig Studio.

    Curatorial endeavors, community collaborations and service to the clay community round out her artistic practice.

    On June 17th, 2013 Ben Carter interviewed the artist for Tales of a Red Clay Rambler. Excerpts from the podcast entitled Jill Foote?Hutton on Art as a Catalyst for Social Engagement can be found here: http://www.talesofaredclayrambler.com/episodes/2013/06/jill-foote-hutton-on-tales-of-red-clay.html

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    Apprenticeships & Residencies
    Primary Work Experience
    1935

    Director, Big Stone Gap Art Gallery and Abingdon Art Center, Big Stone Gap, Virginia

    1939

    Hillcrock Pottery, Glade Spring, Virginia

    1940
    -
    1968

    Artist-in-Residence, University of New Hampshire, Durham, New Hampshire

    1940

    The League of New Hampshire Craftsmen, Concord, New Hampshire

    1968
    -
    1978

    Studio Potter, Oaxaca, Mexico

    1978
    -
    2008

    Studio Potter, Green Valley, Arizona

    Other

    1937

    Married to Edwin Scheier

    Public Collections

    American Museum of Ceramic Art, Pomona, California

    The Art Institute of Chicago, Chicago, Illinois

    Arizona State University, Art Museum, Tempe, Arizona

    Brooklyn Museum, Brooklyn, New York

    Baltimore Museum of Art, Baltimore, Maryland

    Cincinnati Museum of Art, Cincinnati, Ohio

    Cleveland Museum of Art, Cleveland, Ohio

    Cranbrook Academy Art Museum, Bloomfield Hills, Michigan

    Currier Museum of Art, Manchester, New Hampshire

    Detroit Museum of Art, Detroit, Michigan

    Everson Museum of Art, Syracuse, New York

    Metropolitan Museum of Art, New York, New York

    Museum of Arts and Design, New York, New York

    Museum of Fine Arts, Boston, Massachusetts

    Museum of Modern Art, New York, New York

    Newark Museum, Newark, New Jersey

    Philadelphia Museum of Art, Philadelphia, Pennsylvania

    Museum of Art, Rhode Island School of Design, Providence, Rhode Island

    Scripps College, Claremont, California

    Smithsonian Cooper-Hewitt National Design Museum, New York, New York

    Museum of Art, University of New Hampshire, Durham, New Hampshire

    Walker Art Center, Minneapolis, Minnesota

    Yale University Art Gallery, New Haven, Connecticut

    Bibliography

    Clark, Garth. American Ceramics: 1876 to the Present. New York, NY: Abbeville Press Publishers, 1987.

    Dietz, Ulysses Grant. Great Pots Contemporary Ceramics from Function to Fantasy. Madison, WI: Guild Publishing with the Newark Museum, 2003.

    Falino, Jeannine. Crafting Modernism: Midcentury American Art and Design. New York, NY: Abrams, 2011.

    Komanecky, Michael K. American Potters: Mary and Edwin Scheier. Manchester, NH: The Currier Gallery of Art, 1994.

    Levin, Elaine. The History of American Ceramics from Pipkins and Bean Pots to Contemporary Forms. Harry N. Abrams, Inc., Publishers: New York, New York, 1988.

    Perry, Barbara, ed. American Ceramics: The Collection of Everson Museum. New York, NY: Rizzoli International Publications, Inc., 1989.

    CV or Resume

    Website(s)
    Tags (related topics)

    American Museum of Ceramic Art

    AMOCA

    The American Ceramic Society

    ACerS

    Center for Craft

    CfC

    Scripps College Ceramic Annual

    Oaxaca, Mexico

    Green Valley, Arizona

    Durham, New Hampshire

    Edwin Scheier

    Citation: Mary Scheier, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/mary-scheier

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