Nancy Selvin

Nancy Selvin is best known for still-lives composed of thrown and altered earthenware vessel forms.The vessels are often arranged on shelves or attached to wall plaques.Bottle forms predominate.She also makes a wide ...
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    About
    Biography
    Nancy Selvin is best known for still-lives composed of thrown and altered earthenware vessel forms.The vessels are often arranged on shelves or attached to wall plaques.Bottle forms predominate.She also makes a wide range of stand alone pieces.Surfaces are finished with slips and text transferred to the surface is often an element of the pieces.
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    Apprenticeships & Residencies
    Primary Work Experience
    1970
    -
    1972

    State University of New York, Albany, New York

    Other

    Public Collections
    American Museum of Ceramic Art, Pomona, California
    Arizona State University Research Collection, Tempe, Arizona
    Arkansas Arts Center, Little Rock, Arkansas
    Daum Museum of Contemporary Art, Sedalia, Missouri
    Hokkohu Shimbun, Tokyo, Japan
    Kohler Art Center, Sheboygan, Wisconsin
    Los Angeles County Museum of Art, Los Angeles, California
    Mills College, Oakland, California
    Mint Museum, Charlotte, North Carolina
    Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah
    Oakland Museum of California, Oakland, California
    Racine Art Museum, Racine, Wisconsin
    Ruth Chandler Williamson Gallery, Scripps College, Claremont, California
    Smithsonian American Art Museum, Renwick Gallery, Washington, DC
    University of Iowa, Museum of Art, Iowa City, Iowa
     
    Bibliography

    Anable, Anne. “The Art of Drinking.” New York Times, June 26, 1977.

    Attie, Shimon. “Nancy Selvin.” Artweek, March 21, 1991.

    Baizerman, Susan. “Still Life in Clay.” Oakland Museum Magazine 26 no. 2, Spring 2002.

    Bloonfield, Arthur. “Introductions Serve Their Artistic Purpose." San Francisco Examiner, Thursday, June 8, 1976.

    Brown, Glenn R. “Locus of a Disseminated Style.” Kansas City Review, May 2004.

    Clowes, Jody. “Focus: Nancy Selvin.”American Craft August/ September, 1992.

    Donhauser, Paul. History of American Ceramics. Dubugue, IA: Kendall/HurtPublishing Co., 1978.

    Ferrin, Leslie.Teapots Transformed. Madison, WI: Guild Publishing, 2000.

    Getty, Nilda F.Contemporary Crafts of the Americas. Chicago, IL:Henry RegneryCo., 1975.

    Glass, Judith. “Second Annual Cup Show.” Artweek, January 11,1975.

    Hammel, Lisa. “Craftsmen Offer Toast... The New York Times, June 25, 1977.

     Kouvaris, Lindsey. "Clay in the Bay," (Exhibition essay), Santa Clara, CA: de Saisset Museum, 2013.

     Lauria, Jo. "Second Generation: Bay Area Artists." Ceramic Art and Perception, March 2005.

    Lauria, Jo, et al. Color and Fire:Defining Moments in Studio Ceramics, 1950-2000. Los Angeles, CA: Los Angeles County Museum of Art, 2000.

    Levin, Elaine. “China Painting.” Artweek, December 10,1977.

    ___________. “Ceramic Still-Life: The Common Object.”Ceramic Art and Perception,no 32,1998. 

    .___________.The History of American Ceramics: From Pipkins and Bean Pots to Contemporary Forms, 1607 to the Present. New York, NY: Harry N. Abrams, 1988.

    Linger, David. “Nancy Selvin: An Interview.” Ceramic Art and Perception, no 83, March-May 2011.

    Lynn, Martha Drexler. American Studio Ceramics: Innovation and Identity, 1940 to1979. New Haven, CT: Yale University Press, 2015.

    Moore, Sylvia, ed. Yesterday and Tomorrow: California Women Artists. New York,NY: Midmarch Press, 1989.

    Muchnic, Suzanne."Betty Asher: Her Cups Overfloweth.” Los AngelesTimes, January 5, 198I.

    Nigrosh, Leon. Low Fire: Other Ways to Work in Clay. Worcester, MA:Davis Publications,1980.

    Peterson, Susan.The Craft and Art of Clay. Upper Saddle River, NJ: Prentice-Hall,1992,1997,1999.

    ______________. Make it in Clay. Upper Saddle River, NJ: Prentice-Hall, 1999.

    ______________. Contemporary Ceramics. New York, NY: Watson-Guptill, 2000.

    ______________. Smashing Glazes. Madison, WI: Guild Publishing, 2001.

    Pomento, Dawn. “Nancy Selvin at Charleston Heights Art Center Gallery.”Artweek, December 1999.

    Roth, David. “NancySelvin.” American Craft 62, no 5, October/November 2002.

    White, Cheryl. “Nancy Selvin at Works Gallery.” Artweek 27 no 6, June 1996.

    Williams, Gerry. “Interview, Nancy Selvin.” Studio Potter 13 no 1, December 1986.

    Zakin, Richard.Ceramics, Mastering the Craft. Radnor, PA: Chilton & Co., 1990.

    _____________. Hand-Formed Ceramics: Creating Form and Surface. Radnor, PA:Chilton & Co., 1995.

    CV or Resume

    Website(s)
    Tags (related topics)

    Scripps College Ceramic Annual

    Berkeley, California

    Ceramic still life

    Citation: Nancy Selvin, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/nancy-selvin

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