Rebecca Hutchinson
Joseph Bennion is known for wood fired treadle wheel thrown functional stoneware. Surface techniques includealterations ...
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Typical Marks
About
- Biography
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Joseph Bennion is known for wood fired treadle wheel thrown functional stoneware. Surface techniques includealterations in the wet stage, made with Bennion's fingers and simple tools at the end of the throwing process. Bennion often adds salt to the atmosphere of the wood kiln to enhance the glaze effects. Finished wares appear in a variety of earth toned colors.
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- Apprenticeships & Residencies
- Primary Work Experience
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1995
Visiting Instructor, San Francisco Art Institute, San Francisco, California
1996Visiting Assistant Professor, University of Washington, Seattle, Washington
1996-1997Visiting Assistant Professor, Kalamazoo College, Kalamazoo, Michigan
1997-2000Visiting Assistant Professor, Virginia Commonwealth University, Richmond, Virginia
1998-1999Chair, Virginia Commonwealth University, Richmond, Virginia
2001-2004Assistant Professor of Ceramics, University of Massachusetts, Dartmouth, Massachusetts
2005-2011Associate Professor of Ceramics, University of Massachusetts, Dartmouth, Massachusetts
2012—Professor of Ceramics, University of Massachusetts, Dartmouth, Massachusetts
Other
- Public Collections
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Anderson Ranch Art Center, Aspen, Colorado
Appledore Art Center, Devon, England
Archie Bray Foundation for the Ceramic Arts, Helena, Montana
Banff Centre for Fine Arts, Banff, Alberta, Canada
Bracciano Museum, Bracciano, Italy
Concordia University, Quebec, Canada
El Vendrell School of Arts, El Vendrell, Spain
Fuller Craft Museum, Brockton, Massachusetts.
La Suerte Biological Station, Cariari, Costa Rica
Mendocino Art Center, Mendocino, California
Georgia Museum of Art, Athens, Georgia
Texas A&M Corpus Christi, Corpus Christi, Texas
Saint Andrews, Sewanee, Tennessee
University of Arizona, Tucson, Arizona
University of Louisville, Louisville, Kentucky
Vermont Studio Center, Johnson, Vermont
Watershed Center for the Ceramic Arts, New Castle, Maine
Yingge Ceramic Museum, Taipei, Taiwan
- Bibliography
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Brown, Glen. 500 Ceramic Sculptures. Asheville, NC: Larks Books, 2009.
__________. “Rebecca Hutchinson.” Ceramics Monthly (September 2002).
Gault, Rosette. Paperclay Community and Beyond. London, England: A & C Black, 2011.
“Hanging Nature – Rebecca Hutchinson.”http://nakidmagazine.com/2015/02/03/hanging-nature-rebecca-hutchinson- installations/
Hutchinson, Rebecca. “Growth and Place.” Ceramic Monthly (January 2013).
Jeon, Shin-Yeon. “Expanding the Field: Rebecca Hutchinson, A Journey with Students.” Korean Ceramic Art Monthly (April 2010).
Karimi, Pamela. Revisiting “Anti Form”: On Rebecca Hutchinson’s Organic Installations
Knapp, Jessica. “Rebecca Hutchinson, Working with Dilemma.” Ceramics: Art and Perception (2002).
L’oeil photography- women to watch 2015 http://www.loeildelaphotographie.com/2015/07/02/article/28437/washington-organic-matters-woment-to-watch-2015/
Merino, Tony. “Images as Rhetoric: The Familiar Unknown.” Critical Ceramics (March 5, 2010).
Newby, Rick. “Gesture of Place.” American Craft (April/May).
Pitelka, Vince. Clay: A Studio Handbook. American Ceramic Society, 2016.
Shattuck, Deedee. Instinctive Form. Forward by Jodi Stevens. Content by Pamela Karimi. Deedee
Shattuck Gallery Publisher, 2016. Catalog.Treanor, Virginia. “Organic Matter: Women to Watch 2015,” Women in the Arts. pp 19-23.
Summer 2015. Catalog.The 21 Art Exhibitions You Will Be Talking About This Year.”
“Women to Watch Recipients.” Ceramics Monthly (June/July/August 2015).
- CV or Resume
- Website(s)
Citation: Rebecca Hutchinson, "The Marks Project."
Last modified April 29, 2026. https://www.themarksproject.org/artists/rebecca-hutchinson
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