Richard Swanson

James Makinswork moved from porcelain dinnerware and serving pieces to sculptural work. The latter works can be monumental vessel forms or compositions of multiple functional forms placed on thrown trays in carefully ...
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Typical Marks

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    James Makinswork moved from porcelain dinnerware and serving pieces to sculptural work. The latter works can be monumental vessel forms or compositions of multiple functional forms placed on thrown trays in carefully arranged groupings. The pieces are either painted or airbrushed resulting in dense, deep colors that absorb rather than reflect light. These compositions range from monochromatic to multi colored.

    Makin's apprenticeship with Byron Temple gave him insights into the blending of eastern and western pottery traditions. This theme has guided his work throughout his career. Makins studied with Richard DeVore at Cranbrook and began to explore the characteristics of porcelain. He found it rigid, restrictive, and able to be pushed and pulled out of shape yet retain the extreme ridged surfaces of his throwing technique. These throwing rings are characteristic of his work.

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    Apprenticeships & Residencies
    1974

    Artist in Residence, Archie Bray Foundation for the Ceramic Arts, Helena, Montana

    Primary Work Experience
    1974

    Professional Artist, Helena, Montana

    Other

    Public Collections

    Archie Bray Foundation for the Ceramic Arts, Helena, Montana

    Buffalo Bill Historical Center, Whitney Gallery of Western Art, Cody, Wyoming

    Eiteljorg Museum, Indianapolis, Indiana

    Helena College, University of Montana, Helena, Montana

    Holter Museum of Art, Helena, Montana

    Lewis and Clark Library, Helena, Montana

    Los Angeles County Museum of Art, Los Angeles, California

    Mansfield Center for Pacific Affairs, Washington, DC

    Metro Center, Williston, North Dakota

    Montana State Historical Society Museum, Helena, Montana

    Montana State University, Bozeman, Montana

    Myrna Loy Center, Helena, Montana

    Nora Eccles Harrison Museum of Art, Utah State University, Logan, Utah

    Paris Gibson Square Museum of Art, Great Falls, Montana

    Rocky Mountain College, Billings, Montana

    School of Fine Arts, University of Montana, Missoula, Montana

    Southern Oregon University, Rogue Community College, Medford, Oregon

    Yellowstone Art Museum, Billings, Montana

    Yixing Red Pottery Arts Factory #5, Yixing, China

    Bibliography

    Ferrin, Leslie. Teapots Transformed: Exploration of an Object. London, UK: Guild Publishing, 2000.

    Gunter, Veronika A. 500 Figures in Clay: Ceramic Artists Celebrate the Human Form.  New York, NY: Lark Books, 2004.

    “The Art of Jitterbugging, Richard Swanson's Dancing Teapots.” Ceramics Art & Perception no.47 (2002).

    Tourtillott, Suzanne J.E. 500 Cups: Ceramic Explorations of Utility and Grace. New York, NY: Lark Books, 2004.

    Tourtillott, Suzanne J.E. 500 Teapots: Contemporary Explorations of a Timeless Design. New York, NY: Lark Books, 2002.

     

    CV or Resume

    Kuratnick, Jeffrey

    Website(s)
    Tags (related topics)

    Archie Bray Foundation for the Ceramic Arts

    University of Montana

    University of California

    Concordia College

    Citation: Kuratnick, Jeffrey Richard Swanson, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/richard-swanson

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