Thomas Hoadley

Born: 1949

Thomas Hoadley creates porcelain sculptural objects using the Japanese technique, Nerikomi.Hoadley?s forms reference functional vessels but are, instead, non-functional, sculptural objects.

Nerikomi is a process in which porcelain slabs, colored with stains or ...
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Biography: Thomas Hoadley creates porcelain sculptural objects using the Japanese technique, Nerikomi.Hoadley?s forms reference functional vessels but are, instead, non-functional, sculptural objects.
Nerikomi is a process in which porcelain slabs, colored with stains or oxides, are stacked, folded, pressed into logs, sliced, arranged and pressed into vessel forms. The resulting vessels are thin walled and translucent.
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Apprenticeships & Residencies: 1974

Apprentice to Malcolm Wright, Marlboro, Vermont
Primary Work Experience: Other
Public Collections: American Museum of Ceramic Art, Pomona, California
Crocker Art Museum, Sacramento, California
Delaware Art Museum, Wilmington, Delaware
Henry Ford Community College, Dearborn, Michigan
Los Angeles County Museum of Art (LACMA), Los Angeles, California
Mint Museum, Charlotte, North Carolina
Museum of Fine Arts, Boston, Massachusetts
Museum of Modern Ceramic Art, Tajimi City, Japan
Philadelphia Museum of Art, Philadelphia, Pennsylvania
Smithsonian American Art Museum, Renwick Gallery, Washington, D.C.
University of Iowa Museum of Art, Iowa City, Iowa
White House Collection, Clinton Presidential Library, Little Rock, Arkansas
Yale University Museum of Art, New Haven, Connecticut
Bibliography: Daniels, Diana L., and Martha Drexler Lynn. The Vase and Beyond, The Sidney Swidler Collection of the Contemporary Vessel. Sacramento, CA: Crocker Art Museum, 2010.
Frith, Donald E. Moldmaking for Ceramics. Radnor, PA: Chilton Book Co, 1985.
Herman, Lloyd E. American Porcelain, New Expressions in an Ancient Art. Forest Grove, OR: Timber Press, 1981.
_______________. Art That Works. Seattle, WA: University of Washington Press, 1990.
Hoadley, Thomas. “Colored Clay section Pattern and Color.” The Studio Potter, December 1994.
Hopper, Robin. Making Marks, Discovering The Ceramic Surface. Iola, WI: Kraus Publications, 2004.
Hunt, Bill. 21st Century Ceramics. Westerville, OH: The American Ceramic Society, 2003.
Lane, Peter. Ceramic Form, Design and Decoration. New York, NY: Rizzoli, 1988.
_________. Contemporary Porcelain. Radnor, PA: Chilton Book Company, 1995.
_________, ed. Contemporary Studio Porcelain, 2nd ed. Philadelphia, PA: University of Pennsylvania Press, 2003.
Lynn, Martha Drexler. Clay Today. San Francisco, CA: Los Angeles County Museum of Art and Chronicle Books, 1990.
McCready, Karen, and Jan Axel. Porcelain, Traditions and New Visions. New York, NY: Watson Guptil, 1981.
Monroe, Michael. The White House Collection of American Crafts. New York, NY: Abrams, 1995.
Ostermann, Matthias. The Ceramic Surface. London, England: A&C Black, 2002.
Pearson, Katherine. American Crafts: A Sourcebook for the Home. New York, NY: Stewart, Tabori & Chang, 1983.
Perryman, Jane. Naked Clay, Ceramics Without Glaze. Philadelphia, PA: University of Pennsylvania Press, 2004.
“Portfolio.” American Craft, August/September, 1984.
Waller, Jane. Colour in Clay. Ramsbury, England: Crowood Press Ltd., 1998.
Whyman, Caroline. The Complete Potter: Porcelain. Philadelphia, PA: University of Pennsylvania Press, 1994.
Zakin, Richard. Ceramics, Mastering the Craft, 2nd ed. Iola, WI: Kraus Publications, 2001.
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Website(s): thomashoadley.com
Tags (related topics): Lanesborough, Massachusetts