Viola Frey

Born: 1933, Lodi, CA

Viola Frey is known for her monumental, brightly colored, figural sculptures. She became a major player in California Funk, a movement among artists working with clay who challenged the confines of functional ...
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    Biography

    Viola Frey is known for her monumental, brightly colored, figural sculptures. She became a major player in California Funk, a movement among artists working with clay who challenged the confines of functional work.

    In the 1970s she began to build her larger than life, multi-piece, figural sculptures. She would cut into these pieces in order to move and fire them. Her figures are textured and glazed with bright colors.

    Frey also created large-scale ceramic plates and chargers. She was equally skilled as both a draftsman and painter. In addition, she was an avid collector of kitsch ceramics and often made molds from them, using the cast pieces in some of her work.

    Frey joined the faculty of California College of the Arts in 1960. She retired in 1999 as chair of the Ceramics program.

    An interview with Viola Frey conducted Feb. 27, May 15 and June 19, 1995 by Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project is available at: http://www.aaa.si.edu/collections/interviews/oral-history-interview-viola-frey-12554.

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    Apprenticeships & Residencies
    Primary Work Experience
    1957
    -
    1958

    Worked with Katherine Choy at the Clay Art Center, Port Chester, New York

    1970
    -
    1999

    Professor of Art, California College of Arts and Crafts, Oakland, California

    Other

    Public Collections
    Bibliography

    Chadwick, Whitney. Viola Frey. Fresno, CA: Fresno Art Museum, 1991.

    Clowes, Jody. “Bigger, More: The Art of Viola Frey,” American Craft, December/January 2010.

    Frey, Viola and Donald Kuspit. Viola Frey: Plates 1968-1984. New York, NY: Nancy Hoffman Gallery, 1994.

    __________. Viola Frey. San Francisco, CA: Rena Branstein Gallery, 1994.

    Gluck, Grace. “Art Review: Viola Frey—A Lasting Legacy,” New York Times, October 7, 2005.

    Hirsch, Faye. “Viola Frey,” Art in America, April 2010.

    Israel, Julia. Review, “Bigger, Better, More: The Art of Viola Frey,” Out New York: Kids, February 2010.

    Johnson, Ken. “Colossi, Both Kitschy and Compelling,” New York Times, February 16, 2010.

    Kohlhaas, Alidë. “Viola Frey Powerful Images,” Lancette Arts Journal, September 2099.

    Krupit, Donald. Viola Frey: Plates 1968-1994. New York, NY: Nancy Hoffman Gallery, 1995.

    Rice, Robin. “Dirt on Delight,” American Craft, October/November 2009.

    Taragin, Davira, Patterson Sims and Susan Jefferies. Bigger, Better, More: The Art of Viola Frey. Manchester, VT: Hudson Hills, 2009.

    Trapp, Kenneth R. Viola Frey: A Lasting Legacy. New York, NY: Nancy Hoffman Gallery, 2005.

    CV or Resume

    Website(s)
    Tags (related topics)

    Port Chester, New York

    Oakland, California

    Mills College Art Museum

    Citation: Viola Frey, "The Marks Project."
    Last modified April 29, 2026. https://www.themarksproject.org/artists/viola-frey

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