Shrine to Gracefullness

USA, 1968
<p>Now in the collection of the Museum of Arts and Design, New York, New York (1977.2.18a-c).</p>
Elaine Levin Archive, University of Southern California
Date acquired:
Materials:
Mixed Media
Stoneware
Form - Functional: N/A
Form - Sculptural:
Installation - small/intimate scale
Method:
Thrown and Altered
Thrown
Surface Technique: N/A
Kiln Type: N/A
Glazes: N/A
Richard DeVore | 1933 – Present

Richard DeVore concentrated on simple vessel forms; tall vases, shallow dishes and low bowls. The interior of these vessels was the primary focal point. His neo-primitive vessels had uneven or folded rims and, sometimes, distressed markings with a characteristic subtle skin-like surface. They echoed qualities of the pottery of the Anastasi and Mimbres Indians without a direct visual reference.

DeVore received his M.F.A. from Cranbrook where he studied with Maija Grotell. In 1966, she selected DeVore as her successor to head the ceramics department. During the 1960s he explored techniques and approaches to ceramics, including bright colors, lusters, and figurative sculpture. By late 1960s he began a body of work sharply focused on the vessel form for which he is known.

Elaine Levin Archive, University of Southern California

DeVore in other collections

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Last updated: April 22, 2026

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