Wall Hanging

USA, 1984
<p>A wall hanging in the form of the gabel end of a building, the predominant color is white. There are two grey triangles at the top just under the roof line. There are drawings in black, including three vertical lines that act as dividers of the color areas. There are two amorphous forms, one coming from the bottom left corner, the other floating above it near the left edge. They are white in the middle then become red on the ends when the vertical line divide them into three areas. There are solid black feather like forms coming from the top of the floating form. There are strings of tiny red and black dots radiating from <span>its bottom side</span>.</p><p>A side view of the piece shows the thickness of the slab used to make it.</p><p>Another <span>side view of the piece shows the thickness of the slab used to make the it.</span></p><p><span>A back view shows "HORRELL" written on a piece of masking tape. The #257-E is on a white sticker. The accession number, 2004.2.450 is written on the clay in the lower left corner.</span></p><p><span> </span></p>
American Museum of Ceramic Art (AMOCA)
Date acquired:
Materials:
Porcelain
Form - Functional: N/A
Form - Sculptural: N/A
Method:
Slab-Built
Surface Technique: N/A
Kiln Type: N/A
Glazes: N/A
Deborah Horrell

Dudley Anderson is known for wheel-thrown raku-fired stoneware pottery. Surface techniques include chattering, a method used to create deep surface texture in the leather hard stage, and sprigging.

The finished surfaces often juxtapose brightly colored Raku glazes with raw blackened clay. Raku glazes formulated to produce the random and unpredictable surfaces of traditionally fired Raku are commercially available and can be fired in gas, electric kiln or Raku Kiln.

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American Museum of Ceramic Art (AMOCA)

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Last updated: April 22, 2026

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